Anne Dalke's blog
I'm wondering, in light of our conversations about queering and cripping time, what you all might make of a talk focusing "on the slow end of this tempo spectrum, on creating opportunities for students to engage in deceleration, patience, and immersive attention...."? See The Power of Patience.
I wanted every one to know that the full text of the whole issue of
Radical Teacher on teaching in carceral institutions is now available on-line through Pro-Quest,
and I'd like to recommend that we read (@ least!)
Artif Rafay, "An 'Impossible Profession'? the Radical University in Prison" and
Robert Scott, "Distinguishing Radical Teaching from Merely Having Intense Experiences While Teaching in Prison."
I really enjoyed our conversation last Wednesday; coupla other things i want to remember:
* if we go in talking, we're not attending to the "series of lock boxes "we have to go through
--what about the possibility of our "going in silently," the better to attend to what's happening around us?
--the danger/vulnerability of doing so-->"the more casual we are, the more protected we are"
--sara s's project has got us "sensing" the environment there, attending to what it looks like-->
--but flip this: what does the environment think of us?
Anne will print off/bring in the memos to get us/materials into Riverside
each of us will send to Hayley a paragraph we've selected for discussion
Hayley will select one of these and make 15 copies (for the black out poetry exercise)
everyone will bring the sharpies they have (also black crayons?)
Sara will bring multiple copies of the code-switching article;
Hayley will bring all remaining copies of Life on the Outside, along with extra paper and pencils
I. Sasha: welcoming everyone, getting them to put on nametags,
finding out who read how much of the book, and inviting a
general sharing of what folks liked/didn't like/noticed/want to talk about...
In response to Celeste's good questions about what the trouble is with power feminism--is it about representation? (or is it about achieving power @ the expense of others?)--and in furtherance of EmmaBE's observation that power feminism is about getting power for yourself, rather than trying to redistribute/break down the structures of power, I promised to share w/ y'all a passage we read and pondered in my prison book group: Elaine Brown's A Taste of Power, her very compelling memoir about growing up in North Philly, having her consciousness raised about class and race issues, becoming a Black Panther, becoming the head of the Black Panthers, and then leaving the party:
(both via Mark)-->
one on the "play of bodies" (playgrounds, over graves....?):
Historic African American cemetery in Queen Village larger than was thought
(Philadelphia Inquirer, November 11, 2013),
and one about "how Einstein thought," or
Why "Combinatory Play" is the Secret of Genius
(Brain Pickings, August 14, 2013).
So, City Players--
our plan is for ALL of us to gather in the city once more
on Sunday, December 8 (between 3-5 or 4-6 p.m).
Please comment on this post by midnight on Wednesday, both confirming that
THIS TIME WILL WORK FOR YOU, and weighing in on the possibilities we've floated so far:
*Anne's condo (@ 9th and Clinton, in Washington Square West),
*Mark's funeral home (@ 1170 S. Broad Street, deep in South Philly),
*a restaurant in Chinatown--Tessa knows a good noodle place?
(where those of us from China would order for those of us from elsewhere,
and explain what's going on around us....?)
**a Philly cheesesteak truck--
and/or suggest a viable alternative.
YOU MUST POST YOUR COMMENT IN RESPONSE TO THE PERSON WHO POSTED BEFORE YOU.
WE ARE NOT LOOKING FOR 26 DIFFERENT IDEAS, BUT RATHER FOR AN ELECTRONIC CONSENSUS.
SO THINK WITH-AND-RESPONSIVELY (you can disagree, of course, but you must do so in dialogue
w/ those who have written before you....). You are also encouraged to check back several hours
after you have posted, to see if a new idea is circulating that you'd like to speak to...
Very much looking forward to seeing what emerges in this conversation.
one of the students in my critfemstudies class recommended What I Want My Words to Do to You (this in response to our reading Eva's Man last week, and reflecting on our frustrations with her silence...). she found the film life-changing. watching the trailer, i realize how direct it is, how grounded in a belief that the truth can be told. very different than the film i'm imagining sara's working toward making, which sounds as if it will be so much more oblique and evocative...
below are my selections; more than requested, i know. but--the image, well, it just breaks my heart: that youth.
p. 310 is about gender; so are pp. 103-4, though it’s more intersectional there, as it is on pp. 427-8.
and p. 325 is about language use.
can’t wait to see what y’all pick!
by 5 p.m. on Thursday: each of us will e-mail Sara 3 quotes or images
(anything that we find compelling, anywhere in the book--
w/ an eye to “code-switching” and/or “impression management” and/or queer theory)
don’t be afraid to include a longer passage, one that makes the context clear
Our revised lesson plan:
I. we'll begin by remembering Marcell’s b’day, and mark it somehow
(w/ congratulations, certainly--also w/ song? we're not sure)
II. Jody will serve as general timekeeper, keeping us to this plan
any of us has the option of calling for writing time if it seems appropriate
III. Hayley will start us off w/ the quotes, passing sheets of 8x11 paper
we'll do this in two rounds: one to write in response to the quotes/others' comments,
one to read (and take notes, if we want)
II. Sasha will get us into pairs, to look @ the comments and
generate questions about them that we would like the large group to talk about
III. Sara will open up the conversation
possible topics for discussion/short summaries/critical ideas to share include
* “impression management” (how you present a certain “me” to others)
* gender and power
* queer theory/women-centered relationships
V. Anne will offer the opportunity to do some writing, as a form of closing:
what summation can we offer? what thoughts are leftover? and/or not yet articulated?
so today i hauled a HUGE and HEAVY pile of books
(Kettle Bottom, Sula, Orange is the New Black--okay Jody brought that one!--
Angela Davis's autobiography, Maya Angelou's I Know Why the Caged Bird...,
down to a coffee shop in south philly, where jody and i looked through them,
seeking for our next book group book (need to order early next week...pressure's on..)
none of them worked. we walked to the wooden shoe and looked through the shelves;
nothing worked. we are e-mailing folks who might have suggestions about a readable,
contemporary memoir by a woman of color (preferably from Philly), and are also
planning to look @
Lorene Carey's Pride and If Sons, Then Heirs (contemporary Philly writer, but these are novels)
and also James McBride's The Color of Water: A Black man's Tribute to his White Mother
(Brooklyn man, but we both remember this as very powerful).
any leads from any of you or your friends would! be! great!
have a good weekend, all--