culture

September 11 2001 to September 11 2011: Thoughts on the Last Decade and the Future

Serendip provided an on-line forum for public conversation immediately following the events of September 11 2001 and has encouraged further public conversation in several additional forums since (see box to right). Now ten years after September 11 2001, we are considering, again, where we have been and, based on that, where we want to go next and how we might get there.

ssaludades's picture

Personal Reflection

While I was writing my educational autobiography, I was surprised at how hard it was for me to focus on one aspect of my education, as if my education was an accumulated product of my experiences and interactions with different people - my family, friends and classmates. In this sense, I began to view education as a shared experience that these people were participants in my development as a person and helped me find my place and role in society.

Nonetheless, I was likewise disturbed by and reminded of how deeply class relations and more specifically, the status of my classmates affected this role. For many, a big part of growing up is finding a role and trying to fit into society;however, since my parents were immigrants to this country, like Rodriguez's story, a big part of my educational experience was based on being self aware, seeking acceptance, and assimilating into a culture and community that my parents were foreign to. Thus, for me the distance from my classmates' society left me very anxious about my position in the community.

LittleItaly's picture

My Educational Autobiography Reflection

So after writing my educational autobiography some questions had popped into my head about the position I took. I believe the classroom was not the key component in my education instead my community was. I made the claim that because of the way people in different economic background created their own world within their own class that it pushed me to become more aware of myself and taught me how to understand different people's stories. It also pushed me away from being open to the influences of the neigherborhood that I viewed as destructive. So this is where I am at now. I have been known to want to help people out and get them on a better path. But in my paper I had said that class has turned into being what defines a culture. So because I made the claim that people of lower class have their own culture, is it right for people to try to change them? Yes, the lower class are associated with high health risks, high poverty and crime but if that is their culture, who are we to say that the way they live is wrong? After reflecting on that another question arose. Maybe that is my culture? Maybe that it part of the American culture? To come in unannounced, and change what we see unfit. Looking at American history we can see several times when we stepped in and justified with a 'we're creating change' campaign. So maybe it is part of my culture to want to help people I think are on the 'wrong path?' But does that still make it right?

cwalker's picture

The Story of Anthropology: How our Perceptions of the Development of Societies & Cultures have Evolved

Coral A. Walker

May 9, 2011

ENG/BIO 223

Dalke & Grobstein

Webpaper #4

 

The Story of Anthropology:

How our Perceptions of the Development of Societies & Cultures have Evolved

cwalker's picture

The Story of Anthropology: How our Perceptions of the Development of Societies & Cultures have Evolved

Coral A. Walker

May 9, 2011

ENG/BIO 223

Dalke & Grobstein

Webpaper #4

 

The Story of Anthropology:

How our Perceptions of the Development of Societies & Cultures have Evolved

dfishervan's picture

A Last Minute Edit

AnnaP's picture

What is the revolutionary potential of comics as a medium?

Hello classmates, professors, and visitors!

As the culmination of The Story of Evolution and the Evolution of Stories, I have created a comic in dialogue with Scott McCloud's Understanding Comics that is meant to complement his work by both demonstrating how his ideas are useful and also highlighting some things that he left out of his theory of comics as a revolutionary medium.

cwalker's picture

Evolution of Genres in Latin American Literature: The Birth of the Testimonio (Testimonial Narrative)

Coral A. Walker

April 15, 2011

Evolit

Webpaper #3

 

Evolution of Genres in Latin American Literature:

The Birth of the Testimonio (Testimonial Narrative)

 

Apocalipsis's picture

Chorost & a Continuation of Teknolust

Our in class conversation on Monday with author Michael Chorost's skype was certainly dynamic. Although I enjoyed the topics discussed, I found that at one point I asked the wrong question and didn't get the more appropriate one across. If I could get the chance to speak with Chorost again, I'd ask him the following:

AnnaP's picture

Exiled in your hometown

In Professor Dalke’s Thursday discussion section, we explored the idea of solidarity in times of struggle and talked about a lot of different scenarios in which we, like Rambert, might be tempted to leave a difficult situation. The difficulty of being separated from one’s homeland because of a difficult situation, however, seems to be a problem even for the people who remain in Oran, for the place they are staying is not like the one that they knew before The Plague descended upon the city. They are transformed and develop a different relationship to the space they inhabit; the disease fundamentally transforms their relationship to their city.

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