education

ssaludades's picture

In Class

For those of you still revisiting the forum, I just came upon this NYtimes article which rejuvenates the power of college education admist the end of semester season. I found that it touched based on some issues that we talked about in class. http://opinionator.blogs.nytimes.com/2011/12/14/what-is-college-for/

ssaludades's picture

Final Performance

For our final performance, Ellen and I organized an activity that we hoped would try to cover some of the main themes we talked about in class including: social mobility and education, interactive education (banking vs. problem solving) and generally, the affects on class on people's behaviors in and approaches to their education. Here is the script we used which basically highlights the rules of the game we created and meanings behind why we set up the activity in the way that we did:

21 QUESTIONS

Occupations will be posted on the backs of each participant. 

Have sections of the room help people guess who they are by answering their questions. 

Rule is that you can only ask yes or no questions.

    1. First Round: Basic (doctor, lawyer, Michael Jordan)
    2. Second (more difficult) Round Use money to signify the amount of questions that can be allotted to each participant (a quarter for 25 questions, dime for 10 questions, a nickel for 5 questions)

ROUND 1 EXPLANATION:

JHarmon's picture

Reflections and Thanks

While last night's performances were really touching and funny, we all know that they went far beyond that. They showed our sense of agency to go into the world with the knowledge we've gained and actually make a change--whether that change is simply modifying how we will personally operate in the world or taking our knowledge to a broader audience through teaching, playing games, noticing bias in youtube videos, or rapping. The only thing I hope is that our efforts don't stop just because this class has. I hope we continue to keep what we've learned in our minds far beyond this class and our years at Bryn Mawr. In my group's performance, we didn't get a chance to share what Robin Kelly said, and that is that we can't change the media until we change society; and we cannot change society until we change ourselves. It is only in this sort of cyclical pattern of “making new people” that we can “make new television.”

Chandrea's picture

Slam Performance

For our final performance, we decided to do some slam poetry! We all wrote about different aspects of our E-Sem experiences and from various perspectives. Mfon also did a crossword puzzle about the packing problem. Some other topics included learning about banking education and our own perceptions of our socioeconomic statuses and realizing our responsibilities as Bryn Mawr students to bring up touchy topics like class to campus and make them relevant to our peers. Our poems were personal and allowed us to share what we learned from this E-Sem and how class mattered to us back then and how it will matter to us in the future. I remember discussing the project with my group and all of us being unsure about which area about the broad topic of class we would be writing our poems about. It's a complicated subject!

charlie's picture

The Arc: An Exhibit on Right Relationships

 

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The Arc

Written on the wall, to be seen as the first thing when entering the exhibit:

“Right relationships are human relations in which each (or all) seek, without abandoning themselves, to be attentive and responsive to the needs and emotions of one another, quite apart from considerations of entitlement. There are also several important “negative” markers of right relationships, namely they must be free of systematic oppression, exploitation or manipulation. That is, a relationship is not “right” if participants seek to overbear in power (oppress), to overreach in resources (exploit), or to mislead for selfish advantage (manipulate).” – John A. Humbach1

 

The introduction to this exhibit, to also be printed on the wall:

See video
Chandrea's picture

If I Told You I Was Poor, Would You See Me Differently?

This is a poster-collage that I did last night. I was pleased yet frightened with the finished project and I ended up running to my posse. They were really proud of me and wanted to do their own version of the poster-collage. I was inspired by Marian's zine and I remember being so amused with it because I could relate on so many levels - except that instead of being a millionaire, I decided to declare that I was FAR from that. I think I've always kept my socioeconomic status as a secret in high school and now that I'm in college, I'm deciding to own up to my status, just like Marian did. I'm actually thinking of posting it outside of my dorm because I don't know what else to do with it. But I don't know how the people on my hall will react or if they will react at all. I kept the class workshop in mind because we discussed broadening the audience when it came to talking about class. And my audience is the Bryn Mawr community as a whole.

I had to resize the image (you could initially read it) so I will copy down what the text says on the poster.

On the bottom left, next to the picture of me and my little brother it says: "I graduated from Framingham High School in June 2011. I am the first in my family to go to college. The kid next to me is my youngest brother, Aaron. Hopefully, he'll go to college too."

JHarmon's picture

New Points of View

Hello All,

 This collage is titled “New Points of View,” and it aims to represent the various experiences and cultural capital we bring with us here to Bryn Mawr. Ultimately, social class is another form of diversity such as gender, race, or ethnicity. It shapes who we are and how we experience the world around us. However, social class is different from all of these things in the fact that the topic is alarmingly taboo. Although, like race and gender, it is something we are usually born into, we feel uncomfortable embracing it or even acknowledging its existance. This collage aims to ask the viewer whose culture has capital. Do we all have cultural capital? Whose is most important? Is anyone's cultural capital more valuable than others? Is there a way that we can acknowledge these differences rather than ignore them? And finally, how do we “bridge the gap” and learn from one another? 

New Points of View 1

What differences do you see between the left side and the right side? Are these differences important? Which one more closely mirrors your experience?  

Out of the Shadows

What are your feelings about the American Dream? Is it attainable for everyone?

chelseam's picture

Planting Justice: Examining the Potential for Alliances between Urban Garden Groups and Other Environmental Health Organizations

           Recently, our class has been confronted with many theorists who urge us to recognize that we exist in relation to one another and that our concerns are closely tied to others. Farmer reminded us that we live in an “increasingly interconnected world” (Farmer, 158). Barad urged us to “experience life like electrons” and be aware of the ways our lives and concerns are entangled with those we share the world with (Barad). Finally, Butler suggested that it is time to “expand what we mean when we say ‘we’” and to foster alliances across groups that have been subjected to various levels of “precarity” (Butler, Flexner Lecture 2). I decided to investigate the potential for alliances to be formed between the food justice movement and broader environmental health movement in the San Francisco Bay Area. The research led me to Planting Justice, an Oakland, CA based organization that seeks to increase access to organic produce by installing organic gardens in community spaces and private homes. By using the work of Growing Justice as a model, this web-event will seek to suggest ways that community gardens and the organizations that support them can mobilize political action on local environmental health issues.

charlie's picture

The Arc

Although cheesy, the saying “a picture is worth a thousand words” rings true. To express the concept of “right relationships”, I have “curated” an online exhibit of photographs. Although all of the photographs are real, because I have borrowed them from other websites, I have created my own titles for them. Additionally, for some of the photographs, the captions below the titles are not accurate for that specific photograph, but rather are based on the content of the photograph.


Because I am not computer-savvy enough to create a virtual gallery space, I will use my words to help you imagine the exhibition space in which this exhibit would be on display. Imagine a large, open room with light, sandy-colored wood floors and high white walls. There is also an expansive wall of windows allowing for natural sunlight to flood the gallery. The photographs would be 24” by 18” framed inside of a 2” white mat and a 1.5” solid black frame. The titles and captions would be printed on cards and mounted on the wall next to the bottom right-hand corner of the frame.

The Arc

Written on the wall, to be seen as the first thing when entering the exhibit:

jmorgant's picture

OUT.

I wasn't able to be in class last Tuesday, which I was especially disappointed about after our class on 11/15. I've read the class talking notes and people's blog posts, and there are a couple people I want to respond to, and a couple points I want to make in general.

I left class two weeks ago feeling totally drained - not only because of the things we'd talked about, many of which touch me deeply - rape&sexual assault, Ensler's Huffington Post piece, activism - but also because I felt totally unprepared to be talking about such things so publicly, and also, to be honest, pretty offended. I'm not trying to speak for others here, but I thought that it was grossly inappropriate to take a student's quote from this website and have them read it aloud in class without any warning. As some students (and Kaye) have already pointed out, to say something out loud, in public, is completely different from writing it (semi-anonymously?) online. I felt that in some ways, a community was created as a result - but I also think that it was very insensitive. Kaye acknowledged that if she and Anne had warned us beforehand that we would be discussing rape&sexual assault, people may not have shown up, or had their guard up. It doesn't matter. That's our right.

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