diversity

So this week, in terms of ed placement I've been trying to discover more of Asian culture in relation to America. In my placement I figure out that I knew nothing of the Asian American experience even thought I want to honor everyone's diversity in my classroom someday. I wouldn't have picked up on this if it hadn't been for my suburban placement having only white and asian kids. I was taught to look at majority and minority balances in terms of possible difference and then I thought "Oh no, I want to teach at a suburban school someday, but white culture is easy to adapt to, what do I do with the Asians?" This was really weird for me because I pride myself on being multiculturally sensitive becuase of my backgrounds, and what was even weirder is that my best friend since 3rd grade is Viet, but I still don't feel like I know how her race and culture relate to her experience. For some reason, that racial experience has always been invisible to me, despite my exposure to literature about the Hmong in the US and other groups. I decided to reconsile this dissonace by bugging my asian friends to help me learn more and I hope to take an Asian American history/culture class before I graduate. I can't believe I didn't notice one of the biggest groups in America in my quest to be inclusive. I'm really embarressed about this, but at least now I know and I can work towards making that better. 

February 12th, 2013 

How do you know the difference between abuse and discipline? 

Abuse                vs.                     Discipline 

types of Discipline: 

• Threats 
• writing lines
• spanking 

Similarities? 

cyclical/cultural 

Traditional vs. Progressive Discipline 

I saw this on Facebook and thought y'all would be interested. Can't figure out how to share the link (except on Fb) but here's the text:

I I like to write my posts in a cute little teal journal, accurately labled "thoughts." I wondered what the destiny of this book would be and I'm happy it's this. My entry started with three stick figure photos; the first was me being talked at by a teacher. The second was me talking to an adult and the third was me talking with a peer. The story then described an interaction I had with an older person in youth group. He asked me why I talked like a white person. At the time, that really bothered me, because it made me feel uncool and out of place. So then I would try to use more slang, but it didn't really help my "cool" cause becuase I sounded very off. This led me to think about the different languages I have to negotiate on any given day when I was little. With my mother I would have to speak Spanish, but my Spanish was never really eloquent, and then with friends I would have to use slang becuase my academic English freaked them out, and then with teachers I would have to use academic English. With language, I never really felt proficient with any of the three, but I'm starting to accept that all three of these are very much a part of the person I am today.  

Our discussion today reminded me of a story I listened to on NPR last week about the multiple perceptions of Jesus. It is really very interesting. This is the link:   

http://www.npr.org/2012/11/19/165473220/color-of-christ-a-story-of-race-and-religion-in-america

Hey everybody, I don't really know if this has any place in this Ecological Imaginings class, but maybe if we can imagine the preservation of women to be a form of ecology, not unlike the preservation of all plant life, animal life.

I just wanted to call everyone's attention to this excellent documentary currently being shown on PBS on Mon & Tues nights at 9:00 PM.  I imagine you guys have lots of time to watch films, yeah!  But this is an amazing series.

"Half the Sky" about gender based violence.

Here's the link to the first & second segment:

http://video.pbs.org/video/2283557115   

http://video.pbs.org/video/2283558278

Hello beautiful Serendip world! 

My name is Briana Bellamy, I'm a BMC alum '11.  Recently, I returned from an incredible year of living in Nepal, working on a project funded by the Davis Projects for Peace grant. The project was called Sharing Knowledge for Peace, and its basic structure and philosophy grew from something that may be very familiar to some of you: the Teaching and Learning Initiative (TLI). As a sophomore at Bryn Mawr, I became involved with the staff-student branch of the TLI as a student mentor with a wonderful man from transportation services. It completely transformed my experience at Bryn Mawr, and became a huge part of both my sense of community and personal development. The relationships I built through the reciprocal model of the TLI and the deep learning I experienced both in these relationships and in the reflection meeting had a deep impact on me. I went on to become a coordinator for the program, and even wrote my thesis about it, exploring the inner workings of friendship, community, and shared spaces. I knew there was something powerful about the dynamics at play, and I was curious as to how the model of intentional reciprocal teaching and learning relationships could be valuable in other settings. 

INTRODUCTION:  What does it mean to visit an African country with a class from a US college in order to learn?

Alice Lesnick, Term Professor of Education, Bryn Mawr College

July, 2012

360: Learning and Narrating Childhoods (Spring, 2012) was a cluster of three courses, one in Education, one in Literature, and one in Psychology.  15 Students from a broad range of majors, years, and backgrounds undertook a cross-disciplinary, cross-cultural study of child development, with a particular focus on the role of language and literacy in forming and channeling personal and group identities.  

 [just speak nearby the borders of our minds] <-- link

This is a piece about borders. About communities. About movement and restrictions and ideologies. I wanted to interrogate how feminism is at times bounded by qualifiers, that is, to differentiate between French feminism and Third-World Feminism, and the ways in which those are both appropriate and constructed such that the result is constructed identities viewed as essential.

Among artists in the 20^th and 21^st century, explicit reference to prior works has become a mode of producing pieces. This may be in the form of collage or pastiche of some kind, and in video art, it is typically through found footage that these references can be made. Video Artists like Dara Birnbaum have spoken on the power of reappropriating footage, specifically, in her case, from popular media sources, but some of the logic remains in what I have done. Birnbaum wanted the agency to engage with the images being presented to her, to take ownership and subvert their meanings to create new meaning, asserting that she wanted to “talk back” to the media. Further, she asserts:

I’m working to develop and create a storyboard for the video piece I want to produce for my final project, but I am wondering if the directive and narrative-reflective form of the storyboard. That is, this happens, then this, then this. And that is not the kind of video I want to make, nor does it reflect the way I do my work, so I’m not sure if I should try to conform to the process, that it might make my work better, or if I should just do as I typically do, which is to be a bit more organic in my process, although perhaps less deliberate?